In November I was pleased to asked by Misha M. Herwin to be part of her blog tour following the launch of her third novel, Shadows On The Grass. For those of you unfamiliar with Misha’s work, she’s a prolific writer who writes both young adult literature and mainstream novels. She’s better known for her YA trilogy, Dragonfire and the popular Clear Gold series. Her mainstream work has included the time-slip novel House of Shadows and the keenly observant Picking Up The Pieces and this month saw the release of her third novel, Shadows On The Grass..
My first observation of this new novel is that it’d be foolish to assume this is solely women’s literature, it’s most definitely not. Yes, the action is centred around several women but that’s where the similarity with other women’s fiction ends. Set in 1960’s Bristol the story segues easily from 1965 to past events in time building the characters piece by piece, while also drawing on historical events.
The narrative belongs to three generations of women struggling to come to terms with their desires, their identity and their Polish heritage. Mimi and Marianna grow up in turmoil, exiled by the Russians and desperate to retain their identities they end up in Bristol. Mimi is a character that’s difficult to warm to, she’s cold and demanding and throughout her life she shows herself to be a selfish mother. Her old friend and cousin, the Royal Marianna seems to be her saving grace but scratch the surface and there’s a darker side to the princess.
For me the star of the novel is Hannah, Mimi’s downtrodden daughter, all she’s ever wanted is acceptance from her mother and now Mimi is dying she spends her days tending to the ungrateful woman out of her sense of duty. Her husband doesn’t help things with his constant need to smother her and protect her, in his defence he’s so ineffectual that he really cannot comprehend that his cloying love is holding his wife in emotional chains.
Hannah’s daughter, Kate, is a rebellious teenager, trying unsuccessfully to throw off the , shackles of family life and her Polish heritage. Her young life is centred around her desire to become a woman. She’s flagrantly sexual in her demeanour but initially afraid to cast off the restraints of her Catholic upbringing. At times she’s as caustic as the bitter lemon she drinks and unforgiving in her attitude to her mother. Possibly this is a trait she’s inherited from Hannah as she in turn inherited it from Kate’s grandmother, Mimi.
Historically there’s passages in the text that stop you in your tracks and propel you towards Google, in a bid to research further the repression of the Polish people in Russia. Thus giving you a better understanding of Mimi’s internal rage and Mariana’s misplaced humility: she’s an enigma and although fictional I’d love to read her memoir.
My favourite thing about reading anything written by Misha Herwin is her attention to detail and the ability to create sublime sentences. You’d be forgiven for thinking that she pondered over every line crafting and redeveloping it to make it perfect, but I doubt she’s that pretentious; she naturally has the knack of writing a line that makes the reader stop and read it again before continuing with the story. Lines like, ‘Exhaustion fed on her, like some malevolent spirit; it sucked the words from her mouth, the thoughts from her brain.’ and ‘Her fingers were laden with rings, huge stones set in gold, rubies like gouts of blood, sapphires dark as despair.’ make Herwin’s work a joy to digest. And my favourite , ‘she struggled to avoid using the surname that rattled like pebbles in a tin.’ perfectly sums up the inability of an English tongue to pronounce a Polish name.
If you’re looking for a good read, maybe this summer’s beach holiday book, check out Shadows On The Grass available from Amazon now.
For more information on Misha and her work, follow her blog here
Visit Tim Diggles’ blog here for more of his photography projects.